Lena Greenberg and Gabriel Coleman discuss the perceived divide between nature and culture and how nature appears in popular media!
Interlude: Scaffolding by Gabriel Coleman
listen to more of Gabriel’s music at gabriel.town/audio
Bibliography:
brown, adrienne maree. 2017. Emergent Strategy. Oakland: AK Books.
brown, adrienne maree, and Walidah, ed. Imarisha. 2015. Octavia’s Brood. Oakland: AK Press.
Cameron, James. Avatar. 2009. Produced by 20th Century Fox.
Ho, Bong Joon. 2013. Snowpiercer. Produced by Moho Films.
Latour, Bruno. 1993. We Have Never Been Modern. Cambridge: Harvard University Press.
Malm, Andreas. 2019. “Against Hybridism.” Historical Materialism 27 (2): 156-187.
McKibben, Bill. 1989. The End of Nature. New York: Anchor Books.
Singh, Julietta. 2018. No Archive Will Restore You. Santa Barbara: punctum books.
Tsing, Anna. 2015. The Mushroom at the End of the World. Princeton: Princeton University Press.
Vogel, Steven. 2011. “Why “Nature” Has No Place in Environmental Philosophy.” In The Ideal of Nature: Debates about Biotechnology and the Environment, by Gregory E., ed. Kaebnick, 84-97. Baltimore: The Johns Hopkins University Press.
Ariza, Mario Alejandro. 2020. Disposable City. New York: Bold Type Books.
Suess, Dr. 1971. The Lorax. New York: Random House.
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